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三品曉宏経歴

三品曉宏

幼い頃から常に音楽が身近にあり、4歳からピアノ、10歳から管楽器、13歳から声楽と合唱を学ぶ。
16歳の時、武満徹氏に「作曲は、自分を見つめること。自分を掘り下げなさい。」と助言され影響を受ける。
17歳の時《ヒンデミット作曲家の世界》を読み、それに共感したのがきっかけで17歳から佐々木基之氏にピアノ(特にショパン・ラフマニノフなどの指導を受ける)と音感教育を学び絶対音感を高め、耳と心で奏でる大切さを教わる。
この頃からJSバッハのフーガ研究を始めその後、ジョンケージ・武満徹・伊福部昭(箏曲)から大きな影響受けて、日本の本質の表現を求め、邦楽を研究し、野坂操壽氏の演奏を聴き、東洋的な無限の空間の広がりを感じ、野坂操壽氏の元で二十五絃箏と箏を学ぶ。
音響Masteringを野見山美貴氏、上杉尚史氏に学ぶ。

2016年

  • 日本人独自の感性や美意識を表現したピアノアルバム「水の変容」CDリリース
  • オーケストラ作品「少年の日の幻想」リリース

2017年

  • オーケストラと電子音響のための《feux'artifice Requiem》CCMC2017入選
  • 電子音響音楽 《忘れられた記憶》La Mémoire oubliée 作曲

2018年

  • 《曼荼羅》CCMC2018入選をアクースモニウム演奏で発表する。
  • 《Rāmen》music video 制作
  • 二十五弦箏曲 組曲《飛鳥の額田王》作曲

Toshihiro Mishina profile

Music has always surrounded me since childhood. I learned to play the piano since I was four, wind instruments since ten, and vocals and chorus since thirteen.

I received instruction in Sasaki Motoyuki’s piano lessons and acoustic training when I was 17.

I started to research J.S. Bach’s Fuga around that time.

After that I received a lot of influence from John Cage and Toru Takemitsu. Pursuing the expression of Japanese essence, researching Hogaku, listening to the performances of Nosaka, and feeling the expansion of the infinte western space, I learned both the 25-string-sou and the original koto-sou under Keiko Nosaka.

Music has always surrounded me since childhood. I learned to play the piano since I was four, wind instruments since ten, and vocals and chorus since thirteen.
Toru Takemitsu has been one of my influences. When I was 16 he told me “making music is to look at yourself, so dig deep down and look.
Having read and sympathized with "The world of the composer Hindemith", I received instruction, in Motoyuki Sasaki's piano lessons(particularly in Chopin, Rachmaninoff), and Auditory training, when I was 17. From there my natural sence of pitch improved. I also learned the importance of performing with one’s heart and ears. I started to research J.S.Bach's Fuga around that time.
After that I received a lot of influence from John Cage and Toru Takemitsu. Pursuing the expression of Japanese essence, researching Hogaku, listening to the performances of Mr. Soujyu Nosaka, and feeling the expansion of the infinte oriental space. I learned both the 25-strings SOU and the original koto-SOU under Soujyu Nosaka, and "Onkyo" Mastering under Miki Nomiyama and Naohumi Uesugi.

In 2016,I completed my CD 's "Mizu no Henyo"(Transformation of water),a piano piece expressing Japanese aesthetics and my orchestral work "Shonen no hi no genso"(Visions from boyhood),
I was selected in the CCMC 2017 for an award, my orchestral and tape music work《Simulation de feux d'artifice》
I performed acsm performance of the selected《Mandala》CCMC2018.
The composing of the 2018 25-strings SOU《Asuka-no-Nukatano-Ohkimi》.